Thursday, November 16, 2017

Turning Point

These are hungry hills.
The river nurses a grudge.
By the collapsed bridge, drunken sentries
Argue metaphysics,
While the desert sighs inexorably up the valley
On moonless nights. 

Whom will you trust
when your shadow goes AWOL 
from its post at your heels,
and Conscience defects,
hawking compromising videos
of Hope and Desire’s 
shabby threesome with Envy
on foreign street corners,
when even your court
of fawning excuses
encircle you,
backs turned,
arms folded?

There is silence,
and then there is this silence.

© Larry Haworth 2017

Sunday, October 15, 2017

Clearstone

narrow paths
through shaded grass
where small deer
place one quiet hoof,
pause, peer, place another;
above them, tall thin branchless trees
fall easily for burning day.

two yelling children
scurry ahead
of our advancing saws;
inspect standing deadwood
for black and red caterpillars
their sheltering hands shuttle out
to refuge from the flames.

you rise again, old familiar,
borrow my eyes, show me
the gap I take for granted
between tree and tree,
child and earth,
that, always being between,
allows everything.

so, thanks to you,
I am always,
among so many things,
that space in the air
between the narrow trunks
where five trails of smoke ascend
from five small fires.

© Larry Haworth, 2017

Haiku

My lies spared us both,
but no, you had to have truth.
Enjoy it, darling?

© Larry Haworth, 2017






Haiku

Some thing haunts my bones.
I steal food, wood and water.
He howls in the hills.  

© Larry Haworth 2017

Sunday, September 24, 2017

Revolution

From mountain strongholds in the north 
we stream south beneath a darkness of trees.
The capital glitters on the bay like a tiara.
Cocooned in history and gun emplacements, 
the governor dines alone.
Later, nodding over reports, 
the first shot sounds like a servant’s muffled cough.

The signal is lit: sad rockets burst over the bay.
Prisons empty; secret police and spies gavotte in black.
Beggars and the moneyed classes 
paw through waterfront rummage stalls 
for a suit of secrets, 
their perfect getaway.
In the alcoholic space between siding and sidewalk, 
suburban windows, shuttered and cruel, 
give asylum to whispers and portents, 
while the sullen painted lawn 
quietly advances the first pawn 
of its lovingly-calibrated revenge, 
a clockwork of knives. 

Far, far, far, 
in the deeps of limber childhood, 
below the stair of stars, 
old men bowl and sip plum water; 
these cupped hands brim with years. 

© Larry Haworth 2017

Haiku

Dead gold wind-combed grass 
stoops to shelter raw green shoots. 
I too, am lucky. 

© Larry Haworth 2017

Haiku

Black women’s laughter
Like skipped stones rippling water:
Startled, I surface.

© Larry Haworth, 2017

Autobiography

Child among artifacts 
fair cheeks, cut glass 
a wild deer in a palace 
stepping slowly, breaking nothing 

Unreal house,
set on a hill 
haunted by strange music 
the poets murmured deeply on the shelves 

house of voices, 
windy 
I moved among the voices 
mild-eyed 

© Larry Haworth 2005

Another Cool Thing From Science

They measure the thickness of windows
In old farm houses
To see what glass does over time.
Only a scientist would think of this.

They’re thicker at the bottom, thinner at the top,
Which means gravity gradually oozes glass down,
So, it’s really a liquid. 
Only Nature would think of that.

® Larry Haworth 2017

Monday, September 18, 2017

Absence

I notice the hole in the night
where the owl stops hooting;
the suddenly silent cicadas;
the way the eye darts to
and wonder tries to fill
the black space below the stars,
above the treed hill;
the power things have
simply by not being there.

© Larry Haworth, 2017

Monday, July 31, 2017

Homecoming

When I slept under bushes,
stillness said
dwell in me.

When I was anxious, it showed me
peaceful silence
in a stone.

Religion led outwards, away
from the quiet
witness.

Clinging to my father sky god,
I fought to breathe
his air,

forgetting I was born
water’s
creature.

Sky’s teachings
were like
snow:

symmetrical,
beautiful,
cold;

something free,
fluid and
formless

he had hunted down,
field dressed, and
frozen.

I tried hard to make
his ideas my home
long years,

till life was such a burden,
I told a mugger
to shoot me.

***

Though stillness often called,
I did not listen
or follow.

Then came a day
it showed
itself

clearly
in all
things.

I slowly savored every sight
in an open air
market;

gazed in
solemn
joy

at pyramids of produce, bins of beans,
richly colored mounds of
powdered spice.

Even blackened cabbage leaves
trampled
flat

in the gutter
delighted
me.

Now I see it showed itself
to point me to a
home within,

that causes neither fear nor remorse,
needs no punishments, no
enforcers;

and to get my attention,
to give me
a warning:

***

Outside a fishmonger's,
in a
pine box,

a fish struggled,
thrashed, gills
gaping,

on top of a neat row
of its already dead
fellows,

its scales softly kissed
by gently falling
snow,

love it could not feel,
water it could not
breathe,

an invitation it
could never follow back
to the seas.

Fatefully, I ignored the urge
to linger, see deeper, and
turned away,

not reading the warning
I know today was
shown me there.

Its message given and ignored,
the peaceful passion
passed.

Faithful to my idol,
I journeyed on, unseeing,
four decades.

***

Still, even the prophets
of false gods can give
good gifts.

In the end, this one helped save
my life, my sanity,
my soul;

made me ready
to receive today’s
miracle,

one he was
impotent
to give.

So, perhaps it is true that
we can make no
mistakes.

***

Late in life, I turn for home.
A subtle door
opens,

and through it come all these memories
with understandings I never
had before.

Like the time on LSD
I saw something
supple, thin

take its shape from black waves it rode
over bottomless
black depths.

I knew I saw myself:
but why so thin?
And why black?

Was I that shallow, my life
that meaningless,
that dark?

Now, I remember
for the first
time

the floating
thinness
was

the ocean’s surface
lit from
above.

The waves and depths
were only
black

because
they were
unlit.

***

But
no
more,

for now
there is fire
in the deeps.

Stillness
calls me
again;

offers
me dwelling
in its homey vastness;

grows as a
patient silence
peaceful in my breast.

This time,
suffering’s mercy
has finally trained me

to listen
and to
follow.

This time,
I do not
walk away,

but
gaze
thoughtfully,

deep,
and
long.

***

So, I
abandon
my old deity,

his
threats
and cold demands.

I
leave
to him

his
guilt and shame,
his promises and plans.

It takes me
but a moment
to go where I’ve always been,

where stillness
dives into itself,
and the seer is the seen.

Home
at last
in my native seas,

I
swim
the kindled deeps that swim as me.

© Larry Haworth, 2017

Friday, May 12, 2017

Milford Street

May apples still hidden;
Black tractor mud;
Six acres of sugar bush
Pump up sap like blood.

Blood that powers bodies
Running out the door,
Lie amid the maples
Sweet, lonely, sore.

© Larry Haworth 2005

Branch Water

Branch water blacks the riven rock,
Cursed by a crooked line.
Sailor, slowly breaking,
Stalks virgins of the mine.

Moon-gleam gilds the girders;
White engine digs the mouth.
Sailor slowly broken
By kindness of the South.

© Larry Haworth 2005

Monday, March 27, 2017

Inheritance

It is summer in rural Tennessee 
In the sixties. I am young in the back 
Seat of our family car, a child of the 
North coming south to visit my mother's 
Relatives. After hundreds of miles on 
Highways, we are at last driving down the 
Dirt road to my grandparents' house. I love 
This place, so different from Indiana. 

On our left a wire fence is snarled with wild 
Passionflower and honeysuckle. I 
Like to sip the sweet drop of nectar from 
The honeysuckle's throat, as my mother 
Does. Beyond the fence stretch endless red dirt 
Rows of cotton, white and fluffy in the 
Boll on their dead dry stalks, ripe for harvest. 
On the right comes a rickety grey shack. 

I've see them before in the rural south, 
Scattered by fields –  assumed them abandoned, 
Never thought people lived  there – until now. 
Several black people stand on the porch, all
Ages, all skinny, dressed in rags. They watch 
Solemnly as we pass. I am unnerved 
By their bleak poverty, unblinking stare. 
I am guiltily relieved when they're gone. 

I look away but the memory is 
Fixed in place, caught like cotton on barbed wire. 
One day, my grandmother asks me to take 
A message to a black couple who live 
Nearby in another grey shack. It just 
Contains bare walls, bare floor, a stove. Though the
Woman at the stove is older than me, 
She is deferential, like I'm her boss. 

I notice they all are, like they've been trained. 
Why? One warm night, looking at the cotton, 
My grandmother explains Southern history: 
How slaves stooped all day beneath relentless 
Sun, worked their whole lives without pay, were whipped 
If they refused. I imagine myself 
Like them, toiling up the row, dragging the 
Sack in the thick heat, hungry, thirsty, tired. 

I am still young, so I ask, looking at 
The field (this field? This very field?), “How did 
They feel about that?” She answers dryly
“I don't think they liked it.” Something new grows 
In me. I wonder how they survived, and 
If I could have. I hope my ancestors 
Owned and whipped no one, feel overawed by 
The injustice, cruelty, needlessness. 

I think about the people in the shacks, 
Trapped in their inheritance by white law. 
In just these fields their ancestors labored 
Beneath the drilling sun, making white men  
Rich, as these do now, with not much more choice. 
When those ancestors lived in master's shack, 
Surely they had better hopes for these than
To work for so little and go hungry? 

That's all a long time ago now, and I'm 
Much older. My grandmother died. The fields, 
The wonderful woods, the shacks were plowed up 
To build a subdivision. Of all that 
Summer, I owe the most to the people 
On the porch. Their silent dull gaze follows 
Me down the years, watches me. I cannot 
Ride past now, and I cannot look away. 

© Larry Haworth 2017

Thursday, March 16, 2017

Immigrant

George the Immigrant is what his descendants call George Haworth, the first Haworth in North America and my ancestor. This poem is partly based on his life.

We had a rough crossing: wild seas, fierce winds,
Killing cold; dark and foul drinking water,
Maggoty biscuit, months at sea. Many
Died: my own sister and brother-in-law
Slipped between the waves. At last, so relieved
To beach on those ordinary stones, I
Fell down on my face in numbed exhaustion.

I walk across Indiana, south to
North, alone as I never thought to be.
There are few Friends here, and God's voice is mute.
I am a willing worker, but stay in
Each place only a few days, rootless and
Unsettled. Where is my destiny, where
My home? For no horizon calls me now.

I move from emptiness to emptiness.
Inside their white beauty, clouds are empty.
The earth itself is empty; my body,
In its time, will not fill it. I can fill
Nothing, being myself as empty as
The clouds, the earth, the sea which swallowed my
Life into its vast echoing hunger.

© Larry Haworth 2017

Monday, November 14, 2016

No Traces

By the long rocks, where fear is;
Or the temporary ocean’s center,
Hollow as a vowel, I move aside,
That everything may enter.


The one choral voice never heard,
Without whom no singer could compose;
The ground that ground must root in
Before it prompts the rose;


Love and I alone endure;
Sing the eternal pause;
Loosen the over-strictured tongue
From busybody laws.


All persons, nations, creeds, locations
Are holy, chosen, blest;
Born of us, to us returning,
Seeking sorrow, finding rest.


© Larry Haworth April, 2016

Wednesday, April 13, 2016

Chagall

Chagall opens the eye on a world where
Lovers, musicians, fabulous beasts love,
Play, have their being in the middle air.
Demure round-breasted women, impassioned
Encircling men ride their longings above
Sleeping homes. The crimson-faced violin

Player on his blue chair in his blue night
Suffers birds to perch on his shoulder, thighs,
Moon and bouquet beside. And this huge white
Goat sedately cropping the roof-top grass
Achieves what poor religion only tries:
To make emptiness intimate with mass.

© Larry Haworth April, 2016

Haiku

Construction cranes still
As water birds on one leg
Elegantly flock.

Larry Haworth April 2016 ©

Trees

What self-clothed soul could hope to charm
These tall and naked lives?
What monarch did so little harm
And told nobody lies?

They patiently outwait our madness,
Patiently persist,
Unequipped for sadness,
Unminded to resist.

© Larry Haworth April, 2016

Friday, February 19, 2016

Free Fall

When free fall stops I hurt. That’s what happens
When you land belly first on bare rock.
It’s not easy using my whole body as brakes,
But that’s the price free fall demands.
There’s no flight here, no style, no finely controlled
Flip of a wing; just hard descent,
And a sudden, painful stop.

Do you get the metaphor? Yes, I’m an addict,
But that word is too short, convenient, and familiar
To let you taste the broken dignity; wasted years;
Deadened soul; the life ripped out of me piecemeal.
I had only so much innocence to lose;
I didn’t want to spend it all in one place;
So I parceled my heart out like a miser, a handful at a time.

I joined an army, disguised as a family;
Wore chains borrowed from their death camp savior,
And tried to climb their cliff of selfless virtue.
That climb was not mine; desire called me down.
I slipped their chains, succumbed to the forbidden deep,
And found terrible joy in the plunge.
It was then I formed the taste for free fall.

At first I ran to the edge and threw myself like a diver,
Back arched, arms stretched wide, relishing the rush
In my ears, my wind burnt face, laughing as I dove.
The landings grew hard. Still I staggered to the cliff and simply fell.
Finally I could only crawl to the lip and roll over. Unable to stop,
Feeling the slavery, I cursed myself for years.
Gravity taught me freedom needs restraint.

Now, I find no freedom without chains: mine are what I need;
Borrowed from no one; forged by my own hand; worn willingly.
And although I see my nation and world lost in free fall,
A heady, expensive abandon I know too well,
I urge my bonds on no one; I don’t know what’s right for you.
Nonetheless, this is my life: I am wary of theology, messiahs, 
And heights; and I know that no fall is free.

© Larry Haworth 2013